Blending Picasso’s Guernica with Arendt’s notion of the “banality of evil,” this film sheds light on a historical and universal reckoning of conscience.
As we leave the first quarter of the year behind, we take a closer look at Turkish productions and films featuring Turkish artists that have made their mark at prestigious festivals such as Sundance, Berlinale, and IFFR.
How critics and audiences alike will receive Bong Joon-ho's latest film, Mickey 17, will depend on what's expected of the film and its director. In this regard, the film has already divided audiences.
From Mon Oncle to Mulholland Drive, the red pipe connects two cinematic masters: Jacques Tati & David Lynch. Tati’s playful critique of modernism finds an unexpected echo in Lynch’s surreal landscapes.
"The past is never dead. It’s not even past.”Even if buried in an unmarked grave, there is a past that is never dead. Racism in American history is like bile rising to the mouth; bitter and burning the throat.