⭐⭐⭐⭐ Similar to Varda, Melisa Önel is making "a sense picture" with Aniden. That sense that's now gone, is that real or symbolic? Could it be compensated for by any other senses? Or does that absence actually matter at all?
⭐⭐⭐⭐ How many karaoke bars do you think you can hear Schubert sung in? Probably only in Kaurismäki's bar.
⭐⭐ Revenge on the shallow surface of the cursed artificiality...
⭐⭐⭐⭐ Similar to Varda, Melisa Önel is making "a sense picture" with Aniden. That sense that's now gone, is that real or symbolic? Could it be compensated for by any other senses? Or does that absence actually matter at all?
⭐⭐⭐⭐ How can the feeling of death be most intensely conveyed to the screen?
1. With the visual masterpiece of Ozu in Tokyo Story, by stopping the life in the city completely, without showing the death itself
2. By crumpling the "square" it covers
⭐️⭐️⭐️⭐️ Briefly, the film proceeds through the dialogues of Nancy in her 60s, who has not lived her sexuality adequately until now, and Leo, the sex worker she hired for the sexual experience she wanted to explore, that takes place almost in
⭐️⭐️ The main point of the movie lies in Éric Rohmer's "Les Nuits de la Pleine Lune" referenced in the theater, that the free-spirited characters should not be criticized, but only to be observed, or possibly emphathised. Not only Hers praises the
⭐️⭐️⭐️ It's a drama on a velodrome loop; premiered in Cannes last year, La Nuit de 12 is the 7th feature film by German-Belgian director Dominik Moll. Being shot only in 34 days, it's a sucessful film noir holding the suspense for
⭐️⭐️⭐️ Peter Monsaert is working on the same theme again in his third feature: human connections and seperations. But compared to his previous films Offline (2012) and Flemish Heaven (2016), Nowhere has a more optimistic outlook and has this time a promising