⭐⭐⭐⭐ Similar to Varda, Melisa Önel is making "a sense picture" with Aniden. That sense that's now gone, is that real or symbolic? Could it be compensated for by any other senses? Or does that absence actually matter at all?
⭐⭐⭐ In the opening film of the International Rotterdam Film Festival, Norwegian auteur Henrik Martin Dahlsbakken presents an elaborate portrait of his compatriot Munch, the pioneer of expressionism.
⭐⭐⭐⭐ How can the feeling of death be most intensely conveyed to the screen?
1. With the visual masterpiece of Ozu in Tokyo Story, by stopping the life in the city completely, without showing the death itself
2. By crumpling the "square" it covers
⭐⭐⭐⭐ Well, let the bad luck bang.
Like the movie itself, I don't actually know where to start, but I think starting with porn and ending with Wittgenstein really deserves some consideration.