"Everything," said the storyteller, "began with the story of a little girl in a red hood. Setting out on a journey through the dark forest with a basket filled with freshly baked cookies on her arm."
Who is the real "target"? We examined the reference to Jasper Johns' Target with Four Faces in Coralie Fargeat's film Revenge.
We continue to delve into the depths of Mulholland Dr.: Film References & The Dream World and Shifting Identities
Expressionist and abstract art approaches are undoubtedly one of the important influences that shape Lynch's cinematic language.
Where do the boundaries of cinema end? This section demonstrates the power of cinema and its capacity to illuminate societal issues.
As the 61st edition of the International Antalya Film Festival is in full swing, we are focusing on the international selection, which is of particular interest to us.
Featuring Triet's films and Justine as a female director, we also examine the relationship between art and the artist. If we define the relationship between life and art as a seduction, it doesn't really matter who seduces whom.
In the second article of the series, we review Special Screenings, Cinéma de la plage, Cannes Classics, La Cinef and short films.
Homer's sirens, from the forest nymphs of Northern Europe to Salome mentioned in the Bible, to the deadly seductresses of ancient times like Cleopatra. Despite their overt dangers, we humans offer them unconditional surrender. What do their incredible legends say about the