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La nuit du 12 (2022)

⭐️⭐️⭐️ It's a drama on a velodrome loop; premiered in Cannes last year, La Nuit de 12 is the 7th feature film by German-Belgian director Dominik Moll. Being shot only in 34 days, it's a sucessful film noir holding the suspense for

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Kerr (2021)

⭐️⭐️⭐️⭐️ Not sure if the director has such an intention; however, the film seems to be open to interpretation with its overflowing metaphors and surreal narrative. What I understand from the movie is about of our lead character named Can, who was

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Pleasantville (1998)

⭐️⭐️⭐️⭐️ Pleasantville, I believe, is one of the most valuable films of the 98-99 generation (the 'conventional' criticism series of modernism, American dream within America, Hollywood from the Hollywood etc).

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Ember (2016)

⭐⭐⭐ It's always a matter of being in-between, pride and passion, leaving and staying, saying/asking or keeping quiet.

Nowhere (2022)

⭐️⭐️⭐️ Peter Monsaert is working on the same theme again in his third feature: human connections and seperations. But compared to his previous films Offline (2012) and Flemish Heaven (2016), Nowhere has a more optimistic outlook and has this time a promising

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The Danish Girl (2015)

⭐️⭐️⭐️ The transformation from Einar to Lili is explained very much in details, especially the stages; From the first realization to the decision up until having the surgery; the psychological roots handled masterfully. This movie is definite success.

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