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Vortex (2022)

⭐⭐⭐⭐ How can the feeling of death be most intensely conveyed to the screen?

1. With the visual masterpiece of Ozu in Tokyo Story, by stopping the life in the city completely, without showing the death itself

2. By crumpling the "square" it covers

Nowhere (2022)

⭐️⭐️⭐️ Peter Monsaert is working on the same theme again in his third feature: human connections and seperations. But compared to his previous films Offline (2012) and Flemish Heaven (2016), Nowhere has a more optimistic outlook and has this time a promising