⭐⭐⭐ In the opening film of the International Rotterdam Film Festival, Norwegian auteur Henrik Martin Dahlsbakken presents an elaborate portrait of his compatriot Munch, the pioneer of expressionism.
⭐⭐⭐ Stefanie Kolk's first feature film, Melk explores a different way of coping with pain and grief.
⭐⭐⭐⭐ "Grey Bees," premiered at IFFR, emerges as a silent yet powerful presence, making it a must-watch in 2024, in a world where war narratives often overshadow human experiences.
⭐⭐ Revenge on the shallow surface of the cursed artificiality...
⭐⭐⭐ Kaan Arıcı and İsmet Kurtuluş's theatrical thriller with Schubert...
Andrzej Zulawski's 1981 cult horror film, co-produced by France and West Germany, which he wrote and directed, sparked intense debates upon its release and holds an important place in cinema history as a production that influenced many subsequent films.
⭐⭐⭐ "Nowhere Special," which premiered at the 77th Venice Film Festival in the Orizzonti section in 2020 is the third feature film by writer-producer-director Uberto Pasolini.
⭐⭐⭐⭐ "Four Daughters," directed by Kaouther Ben Hania has garnered acclaim for confronting biases and providing a fresh perspective, with a strong cinematography, sincerity, and courage.
⭐⭐⭐⭐ Similar to Varda, Melisa Önel is making "a sense picture" with Aniden. That sense that's now gone, is that real or symbolic? Could it be compensated for by any other senses? Or does that absence actually matter at all?