⭐⭐⭐⭐ The Substance isn't only about championing a feminist gaze but also stems from a specific reason for directing her critique toward Hollywood.
We're focusing on four films from this year's Toronto International Film Festival: Hard Truths, The Return, Bring Them Down, Sing Sing
⭐⭐⭐⭐ Premiering at the Cannes Film Festival and winning the Palme d'Or, Armand is the feature debut of Norwegian director Halfdan Ullmann Tøndel.
⭐⭐⭐ "Simon de la montaña" is a promising debut for the director with strong technical aspects.
⭐⭐⭐⭐⭐ With his final work, which can be interpreted as an artistic farewell manifesto to cinema, Godard liberated thought and image, and perhaps himself, and passed away a day later while cinema continues to be "an art where a sniper on the
⭐⭐⭐⭐ A striking prologue: tense strings starting before the screen even lights up, a deafening sound design, and superimposed distorted human faces caught between reality and hallucination... Sounds familiar, doesn't it?
⭐⭐⭐ While Emanuel Parvu seems to be following the footsteps of masters like Cristian Mungiu and Cristi Puiu, he appears to be lagging behind.
⭐⭐⭐ "Hollywood's Weird Wave" is loading... At least his signature is not yet lost, but a bit "interrupted".
⭐⭐⭐ Mischievous and prolific... Duipeux's latest film "The Second Act" premiered at Cannes' official opening yesterday.